Theatre
Ana Luz Ormazábal
Direction
Director, stage researcher, and teacher. She studied acting at the Universidad Católica and has a Master in Performance Practice and Research at The Royal Central School of Speech and Drama, University of London, England.
Her work as a director, playwright, and researcher begins with the staging Concierto (2012) and then with Agnetha Kurtz Roca Method (2015). She founded and directed ANTIMÉTODO, a research and scenic creation practice that brings together diverse collaborators around her previous works and the group's third project Ópera (2016) and fourth Al Pacino (2019).
In 2021 she was invited by the Teatro UC to create and direct the production Este teatro no está vacío, awarded by the Círculo de Críticos de Arte de Chile in the Best Direction category. Also that same year she was selected for the International Forum of the Thetertreffen Berliner Festpiele.
In 2022 she was invited to direct the text Pam Berry, written by Daniela Schalchli for the XX Muestra de Dramaturgia Nacional.
She teaches at several universities in Santiago and collaborates permanently with artists and spaces for reflection and scenic creation (Acompañamiento de mujeres, Aproximaciones a la palabra, Trashumantes, FITAM, among others).
Juan Pablo Troncoso
Juan Pablo Troncoso
Playwriting
Actor and playwright. Master in Literature. He is a member of the companies La Junta and Colectivo Zoológico. He is the author of the plays El Once, No tenemos que sacrificarnos por los que vendrán, NIMBY, Muerte y explosión de un anarquista chileno, Tú no hablas, Jugar a la guerra, versions of Natacha and Casa de Muñecas, and the latest GAM 2023 production, María Isabel. His texts have been presented in Mexico, Spain, Germany, and Argentina. He also directed the plays La Leva and Aquí no se ha enterrado nada, both by Leonardo González, and Jugar a la guerra, of his own authorship. He was part of the International Playwriting Program The Royal Court Theatre, organized by Teatro La Plaza and Fundación Teatro a Mil. He currently teaches at the Theater Schools of the Universidad de Valparaíso, UNIACC, and Pontificia Universidad Católica de Chile.
"María Isabel es una obra que vale la pena ver, no solo por la conmemoración de los 50 años del golpe de Estado, sino porque las preguntas que plantea siguen vigentes y sería interesante conocer los resultados del estudio de ese entonces y, quizás, una comparación con lo que ocurre en los partidos políticos de hoy, para ver qué tanto hemos evolucionado en temas de género”.
-Culturizarte, 2023
PRODUCE
María Isabel
Directed by Ana Luz Ormazábal | Playwriting by Juan Pablo Troncoso | Original idea by Ana Luz Ormazábal y Camila González
- Chile
- Español
- 105 minutos
- + 14 years
Directed by the acclaimed director Ana Luz Ormazábal, this staging explores the figure of María Isabel Matamala, a physician and former member of the Revolutionary Left Movement (MIR), and how she and other women wrote a feminist manifesto while they were detained in Tres Álamos.
The figure of María Isabel Matamala is the central character of the staging that recounts and recalls an investigation that never saw the light of day. This Chilean doctor wrote, together with other militants, a feminist manifesto that spoke of the discriminatory reality of women within a revolutionary party while they were prisoners in Tres Alamos. Full of data, dates, stories, reflections, and questions, the document was taken out of the detention center and sent clandestinely to the CIMADE, but when it arrived in France and was handed over to the MIR, the document disappeared.
What was it like to be a feminist within the MIR? What historical changes do we see and what remains to be done? What happened to these texts? These are some of the questions that guide the project.
María Isabel
Directed by Ana Luz Ormazábal | Playwriting by Juan Pablo Troncoso | Original idea by Ana Luz Ormazábal y Camila González
- Chile
- Español
- 105 minutos
- + 14 years
Directed by the acclaimed director Ana Luz Ormazábal, this staging explores the figure of María Isabel Matamala, a physician and former member of the Revolutionary Left Movement (MIR), and how she and other women wrote a feminist manifesto while they were detained in Tres Álamos.
The figure of María Isabel Matamala is the central character of the staging that recounts and recalls an investigation that never saw the light of day. This Chilean doctor wrote, together with other militants, a feminist manifesto that spoke of the discriminatory reality of women within a revolutionary party while they were prisoners in Tres Alamos. Full of data, dates, stories, reflections, and questions, the document was taken out of the detention center and sent clandestinely to the CIMADE, but when it arrived in France and was handed over to the MIR, the document disappeared.
What was it like to be a feminist within the MIR? What historical changes do we see and what remains to be done? What happened to these texts? These are some of the questions that guide the project.
Fechas:
MON
15
jan
8:30 p.m.
TUE
16
jan
6:30 p.m.
Centro Gabriela Mistral - GAM
Santiago
Recomendamos llegar con 30 minutos de anticipación
Centro Gabriela Mistral - GAM
Santiago
Recomendamos llegar con 30 minutos de anticipación
Conversatorio post-función
Ana Luz Ormazábal
Direction
Director, stage researcher, and teacher. She studied acting at the Universidad Católica and has a Master in Performance Practice and Research at The Royal Central School of Speech and Drama, University of London, England.
Her work as a director, playwright, and researcher begins with the staging Concierto (2012) and then with Agnetha Kurtz Roca Method (2015). She founded and directed ANTIMÉTODO, a research and scenic creation practice that brings together diverse collaborators around her previous works and the group's third project Ópera (2016) and fourth Al Pacino (2019).
In 2021 she was invited by the Teatro UC to create and direct the production Este teatro no está vacío, awarded by the Círculo de Críticos de Arte de Chile in the Best Direction category. Also that same year she was selected for the International Forum of the Thetertreffen Berliner Festpiele.
In 2022 she was invited to direct the text Pam Berry, written by Daniela Schalchli for the XX Muestra de Dramaturgia Nacional.
She teaches at several universities in Santiago and collaborates permanently with artists and spaces for reflection and scenic creation (Acompañamiento de mujeres, Aproximaciones a la palabra, Trashumantes, FITAM, among others).
Juan Pablo Troncoso
Juan Pablo Troncoso
Playwriting
Actor and playwright. Master in Literature. He is a member of the companies La Junta and Colectivo Zoológico. He is the author of the plays El Once, No tenemos que sacrificarnos por los que vendrán, NIMBY, Muerte y explosión de un anarquista chileno, Tú no hablas, Jugar a la guerra, versions of Natacha and Casa de Muñecas, and the latest GAM 2023 production, María Isabel. His texts have been presented in Mexico, Spain, Germany, and Argentina. He also directed the plays La Leva and Aquí no se ha enterrado nada, both by Leonardo González, and Jugar a la guerra, of his own authorship. He was part of the International Playwriting Program The Royal Court Theatre, organized by Teatro La Plaza and Fundación Teatro a Mil. He currently teaches at the Theater Schools of the Universidad de Valparaíso, UNIACC, and Pontificia Universidad Católica de Chile.
"María Isabel es una obra que vale la pena ver, no solo por la conmemoración de los 50 años del golpe de Estado, sino porque las preguntas que plantea siguen vigentes y sería interesante conocer los resultados del estudio de ese entonces y, quizás, una comparación con lo que ocurre en los partidos políticos de hoy, para ver qué tanto hemos evolucionado en temas de género”.
-Culturizarte, 2023
PRODUCE