Theatre
Guillermo Cacace
Direction
Actor, director and teacher. National Actor (ENAD). Psychopedagogy degree (UNLZ), specialization in Psychoanalysis. A doctorate student in Arts at UNA. Head of the subject Acting IV and Direction II of the Degree in Stage Direction at the Universidad Argentina de las Artes. Co-manager of the independent theater space Apacheta, Sala/Estudio. With strong activity in Argentina and abroad, he has received several awards and distinctions at national and international levels for his artistic work at the head of versioned classics and contemporary plays. Tutor of the Laboratorio Transdiciplinario de Creación Performática (CECAP).
“Las actrices entre nosotros hacen de la interpretación una forma que apenas se diferencia de la vida pero que crece de un modo tan exuberante que nos implica. La actuación está allí, ofrecida como la comida que se dispone preciosa sobre la mesa, entre las copas de vino, tan real como esos cuerpos que al lado de nosotros se precipitan por el desgarro del amor no correspondido”.
-Clarín, 2023
Gaviota
Free version of The Seagull, by Anton Chekhov | Playwriting by Juan Ignacio Fernández | Directed Guillermo Cacace
- Argentina
- Español
- 100 minutos
- + 16
The acclaimed Argentine director Guillermo Cacace returns with his most recent production: a tale of misunderstandings interpreted by a female cast that shares the same table with the audience.
In La Gaviota, life resembles the abandoned and decayed stage of a theater play by the side of a lake, with the wind shaking the curtain in the open that sounds like the cry of the defeated. Masha tries to piece together this story of loves that do not correspond, of dreams that break when they are fulfilled, and of the pain that accumulates over the years.
In this free version of Anton Chekhov's The Seagull, directed by Guillermo Cacace (Mi hijo sólo camina un poco más lento, El mar de noche, La enamorada), the tension between what we desire and what we can finally achieve is developed. In it, five characters, in crossed relationships, confront each other, marked by misunderstandings.
Gaviota
Free version of The Seagull, by Anton Chekhov | Playwriting by Juan Ignacio Fernández | Directed Guillermo Cacace
- Argentina
- Español
- 100 minutos
- + 16
The acclaimed Argentine director Guillermo Cacace returns with his most recent production: a tale of misunderstandings interpreted by a female cast that shares the same table with the audience.
In La Gaviota, life resembles the abandoned and decayed stage of a theater play by the side of a lake, with the wind shaking the curtain in the open that sounds like the cry of the defeated. Masha tries to piece together this story of loves that do not correspond, of dreams that break when they are fulfilled, and of the pain that accumulates over the years.
In this free version of Anton Chekhov's The Seagull, directed by Guillermo Cacace (Mi hijo sólo camina un poco más lento, El mar de noche, La enamorada), the tension between what we desire and what we can finally achieve is developed. In it, five characters, in crossed relationships, confront each other, marked by misunderstandings.
Fechas:
FRI
19
jan
9 p.m.
SAT
20
jan
11:30 a.m.
SAT
20
jan
9 p.m.
SUN
21
jan
5 p.m.
Centro Gabriela Mistral - GAM
Santiago
Se recomienda llegar con 30 minutos de anticipación.
Centro Gabriela Mistral - GAM
Santiago
Función cerrada Platea 24
Centro Gabriela Mistral - GAM
Santiago
Se recomienda llegar con 30 minutos de anticipación.
Centro Gabriela Mistral - GAM
Santiago
Recomendamos llegar con 30 minutos de anticipación.
Conversatorio post-función
Guillermo Cacace
Direction
Actor, director and teacher. National Actor (ENAD). Psychopedagogy degree (UNLZ), specialization in Psychoanalysis. A doctorate student in Arts at UNA. Head of the subject Acting IV and Direction II of the Degree in Stage Direction at the Universidad Argentina de las Artes. Co-manager of the independent theater space Apacheta, Sala/Estudio. With strong activity in Argentina and abroad, he has received several awards and distinctions at national and international levels for his artistic work at the head of versioned classics and contemporary plays. Tutor of the Laboratorio Transdiciplinario de Creación Performática (CECAP).
“Las actrices entre nosotros hacen de la interpretación una forma que apenas se diferencia de la vida pero que crece de un modo tan exuberante que nos implica. La actuación está allí, ofrecida como la comida que se dispone preciosa sobre la mesa, entre las copas de vino, tan real como esos cuerpos que al lado de nosotros se precipitan por el desgarro del amor no correspondido”.
-Clarín, 2023
CON EL APOYO DE
PATROCINA