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Puppet Theater

Written by: Guillermo Calderón, inspired by the story La noche de los feos by Mario Benedetti | Directed by: Aline Kuppenheim | Puppeteers: Aline Kuppenheim, Ricardo Parraguez, Ignacio Mancilla, Catalina Bize, Gabriela Diaz de Valdés | Produced by: Loreto Moya | Voices: Francisco Melo, Roberto Farías, Aline Kuppenheim | Lighting: José Luis Cifuentes, Raúl Donoso | Sound and projections: Benjamín Ortíz, Tomás Arias | Staging: Cristián Reyes | Lighting designers: Arnaldo Rodríguez, Cristián Reyes | Original score and soundtrack: José Miguel Miranda | Set, costume and lighting designer: Aline Kuppenheim | Puppets and miniatures made by: Aline Kuppenheim, Santiago Tobar, Ignacio Mancilla, Vicente Hirmas, Daniel Blanco | Costume designer: Muriel Parra, Felipe Criado | Director of photography: Arnaldo Rodríguez | Animations: Aline Kuppenheim, Antonia Cohen, Camila Zurita | Post-production: Luis Salas, Renzo Albertini | Front-of-house technical team: José Luis Cifuentes, Raúl Donoso, Tomás Arias, Benjamín Ortiz, Pablo Cepeda | Stills: Elio Frugone | Financed by: FONDART | Produced by: Teatro y Su Doble | Coproduced by: the Teatro a Mil Foundation.

Teatro y su Doble

Director

For the love of puppet theater

With a long career in film, television and theater, this actress, theater director, illustrator and visual artist (Barcelona, 1969) has dedicated her life to theater for more than a decade. In 2005, she founded Teatro y su Doble (formerly Teatro Milagros), with whom she has created touching puppet plays aimed at both infant and adult audiences, using intricate puppets she and her team have made. She has also had starring roles in movies (Machuca, Una mujer fantástica) and important TV series, such as Ecos del desierto, Prófugos and Bala loca.

Guillermo Calderón

Dramaturgia

“The play concludes with a wordless morning after that glows with aching ambivalence”.
─The New York Times

“The artistry of the puppeteer in creating life is magical in this story. I should open a thesaurus and write down every superlative here”.

–David Walters, The Front Row Center

COLABORA

Feos

EN

By Teatro y su Doble | Directed by Aline Kuppenheim | Written by Guillermo Calderón, inspired by the story La noche de los feos by Mario Benedetti

  • Chile
  • Spanish
  • 50 minutes
  • + 14 years

A man and woman meet for the first time in the line at the movie theater. It’s the beginning of a story about the good - but mostly the bad – things about being different.

A man and woman meet for the first time in the line at the movie theater. Both have visible physical deformities, are alone and are subjected to nasty stares from others. Inevitably, they realize they have something in common and that they are ‘made for each other’. Together, they decide to go in search of the light behind the darkness, although nothing is quite as it seems.

Inspired by the story La noche de los feos by Mario Benedetti and written by Guillermo Calderón, Feos is the latest production by Teatro y Su Doble that has been toured in Chile, Argentina and Uruguay. Like the company’s previous plays, puppets and animations are the story’s main characters, although this time the performance is for adults.

Feos

ES

By Teatro y su Doble | Directed by Aline Kuppenheim | Written by Guillermo Calderón, inspired by the story La noche de los feos by Mario Benedetti

  • Chile
  • Spanish
  • 50 minutes
  • + 14 years

A man and woman meet for the first time in the line at the movie theater. It’s the beginning of a story about the good - but mostly the bad – things about being different.

A man and woman meet for the first time in the line at the movie theater. Both have visible physical deformities, are alone and are subjected to nasty stares from others. Inevitably, they realize they have something in common and that they are ‘made for each other’. Together, they decide to go in search of the light behind the darkness, although nothing is quite as it seems.

Inspired by the story La noche de los feos by Mario Benedetti and written by Guillermo Calderón, Feos is the latest production by Teatro y Su Doble that has been toured in Chile, Argentina and Uruguay. Like the company’s previous plays, puppets and animations are the story’s main characters, although this time the performance is for adults.

Fechas:

Written by: Guillermo Calderón, inspired by the story La noche de los feos by Mario Benedetti | Directed by: Aline Kuppenheim | Puppeteers: Aline Kuppenheim, Ricardo Parraguez, Ignacio Mancilla, Catalina Bize, Gabriela Diaz de Valdés | Produced by: Loreto Moya | Voices: Francisco Melo, Roberto Farías, Aline Kuppenheim | Lighting: José Luis Cifuentes, Raúl Donoso | Sound and projections: Benjamín Ortíz, Tomás Arias | Staging: Cristián Reyes | Lighting designers: Arnaldo Rodríguez, Cristián Reyes | Original score and soundtrack: José Miguel Miranda | Set, costume and lighting designer: Aline Kuppenheim | Puppets and miniatures made by: Aline Kuppenheim, Santiago Tobar, Ignacio Mancilla, Vicente Hirmas, Daniel Blanco | Costume designer: Muriel Parra, Felipe Criado | Director of photography: Arnaldo Rodríguez | Animations: Aline Kuppenheim, Antonia Cohen, Camila Zurita | Post-production: Luis Salas, Renzo Albertini | Front-of-house technical team: José Luis Cifuentes, Raúl Donoso, Tomás Arias, Benjamín Ortiz, Pablo Cepeda | Stills: Elio Frugone | Financed by: FONDART | Produced by: Teatro y Su Doble | Coproduced by: the Teatro a Mil Foundation.

Teatro y su Doble

Director

For the love of puppet theater

With a long career in film, television and theater, this actress, theater director, illustrator and visual artist (Barcelona, 1969) has dedicated her life to theater for more than a decade. In 2005, she founded Teatro y su Doble (formerly Teatro Milagros), with whom she has created touching puppet plays aimed at both infant and adult audiences, using intricate puppets she and her team have made. She has also had starring roles in movies (Machuca, Una mujer fantástica) and important TV series, such as Ecos del desierto, Prófugos and Bala loca.

Guillermo Calderón

Dramaturgia

“The play concludes with a wordless morning after that glows with aching ambivalence”.
─The New York Times

“The artistry of the puppeteer in creating life is magical in this story. I should open a thesaurus and write down every superlative here”.

–David Walters, The Front Row Center

COLABORA

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