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“One of the most celebrated dramaturges and directors of the contemporary trans-Andean scene.”

El Mercurio

Playwright: David Foster Wallace | Director: Daniel Veronese | Cast: Francisco Reyes and Marcelo Alonso | Assistant Director: Francisco Albornoz | Production: Cristóbal Pizarro | Coproduction: Fundación Teatro a Mil and Teatro Finis Terrae

Daniel Veronese

Director

A reference of the Latin American theater scene

Daniel is an author, adaptor, actor and theater director born in Argentina in 1955. He is one of the founding members of the experimental theater group El Periférico de Objetos, created in 1989. His latest plays include La última sesión de Freud, Sonata otoñal, ¿Quién le teme a Virginia Wolf? (which he presented in Madrid and Mexico City), Bona Gent (in Barcelona), Bajo terapia (versions created in Argentina, Madrid, Cataluña and Lima); Los corderos, Vigilia de noche and Invencible (Madrid version). He has received numerous awards, such as the Platinum KONEX, Primer Premio Nacional de Dramaturgia and MAX Iberoamericano awards.

David Foster Wallace

Playwright

The great observer of today's society

Considered one of the most brilliant and influential exponents of his generation, David Foster Wallace (1962-2008) was an American writer known worldwide for The Infinite Joke, a novel chosen by Time magazine as one of the 100 best books published between 1923 and 2006. In 1999 he wrote Brief Interviews with Hideous Men, a play that, like the entirety of his narrative, brings to the table issues such as the discomfort of today's society, American idiosyncrasy and the crisis of masculinity at the end of the 20th century.

CON EL APOYO DE

PRODUCE

Encuentros breves con hombres repulsivos

EN

Directed by Daniel Veronese | By David Foster Wallace

  • Argentina
  • Chile
  • Spanish
  • 60 minutes
  • + 14 years

David Foster Wallace's acclaimed novel comes to theater with a duo of powerful actors -Marcelo Alonso and Francisco Reyes- and the outstanding Argentinian director Daniel Veronese.

In Encuentros breves con hombres repulsivos, the theatrical adaptation of David Foster Wallace´s novel by the renowned Argentinian director Daniel Veronese, there are two actors: A and B. Both characters interact, and during eight brief and independent encounters, they alternate their roles. There are several issues being discussed, but they all point to a common topic: the evident condition of the contemporary male when encountering a woman - in terms of love, sex, and even loss. A confrontation of dangerous, uncomfortable limits which, somewhere and sometimes, began to be socially permitted and which reflect the lack of communication between genders. The play unfolds under the conditions of overprotection, intimidation, and degradation.

Encuentros breves con hombres repulsivos stars Marcelo Alonso (director of El padre and La última sesión de Freud) and Francisco Reyes (Lear, el rey y su doble, La desobediencia de Marte). A co-production of Fundación Teatro a Mil and Teatro Finis Terrae, with the collaboration of T4 producciones teatrales (Argentina).

“One of the most celebrated dramaturges and directors of the contemporary trans-Andean scene.”

El Mercurio

Encuentros breves con hombres repulsivos

ES

Directed by Daniel Veronese | By David Foster Wallace

  • Argentina
  • Chile
  • Spanish
  • 60 minutes
  • + 14 years

David Foster Wallace's acclaimed novel comes to theater with a duo of powerful actors -Marcelo Alonso and Francisco Reyes- and the outstanding Argentinian director Daniel Veronese.

In Encuentros breves con hombres repulsivos, the theatrical adaptation of David Foster Wallace´s novel by the renowned Argentinian director Daniel Veronese, there are two actors: A and B. Both characters interact, and during eight brief and independent encounters, they alternate their roles. There are several issues being discussed, but they all point to a common topic: the evident condition of the contemporary male when encountering a woman - in terms of love, sex, and even loss. A confrontation of dangerous, uncomfortable limits which, somewhere and sometimes, began to be socially permitted and which reflect the lack of communication between genders. The play unfolds under the conditions of overprotection, intimidation, and degradation.

Encuentros breves con hombres repulsivos stars Marcelo Alonso (director of El padre and La última sesión de Freud) and Francisco Reyes (Lear, el rey y su doble, La desobediencia de Marte). A co-production of Fundación Teatro a Mil and Teatro Finis Terrae, with the collaboration of T4 producciones teatrales (Argentina).

“One of the most celebrated dramaturges and directors of the contemporary trans-Andean scene.”

El Mercurio

Fechas:

Playwright: David Foster Wallace | Director: Daniel Veronese | Cast: Francisco Reyes and Marcelo Alonso | Assistant Director: Francisco Albornoz | Production: Cristóbal Pizarro | Coproduction: Fundación Teatro a Mil and Teatro Finis Terrae

Daniel Veronese

Director

A reference of the Latin American theater scene

Daniel is an author, adaptor, actor and theater director born in Argentina in 1955. He is one of the founding members of the experimental theater group El Periférico de Objetos, created in 1989. His latest plays include La última sesión de Freud, Sonata otoñal, ¿Quién le teme a Virginia Wolf? (which he presented in Madrid and Mexico City), Bona Gent (in Barcelona), Bajo terapia (versions created in Argentina, Madrid, Cataluña and Lima); Los corderos, Vigilia de noche and Invencible (Madrid version). He has received numerous awards, such as the Platinum KONEX, Primer Premio Nacional de Dramaturgia and MAX Iberoamericano awards.

David Foster Wallace

Playwright

The great observer of today's society

Considered one of the most brilliant and influential exponents of his generation, David Foster Wallace (1962-2008) was an American writer known worldwide for The Infinite Joke, a novel chosen by Time magazine as one of the 100 best books published between 1923 and 2006. In 1999 he wrote Brief Interviews with Hideous Men, a play that, like the entirety of his narrative, brings to the table issues such as the discomfort of today's society, American idiosyncrasy and the crisis of masculinity at the end of the 20th century.

CON EL APOYO DE

PRODUCE

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